Italian High Renaissance Painter, 1483-1520 Italian painter and architect. As a member of Perugino's workshop, he established his mastery by 17 and began receiving important commissions. In 1504 he moved to Florence, where he executed many of his famous Madonnas; his unity of composition and suppression of inessentials is evident in The Madonna of the Goldfinch (c. 1506). Though influenced by Leonardo da Vinci's chiaroscuro and sfumato, his figure types were his own creation, with round, gentle faces that reveal human sentiments raised to a sublime serenity. In 1508 he was summoned to Rome to decorate a suite of papal chambers in the Vatican. The frescoes in the Stanza della Segnatura are probably his greatest work; the most famous, The School of Athens (1510 C 11), is a complex and magnificently ordered allegory of secular knowledge showing Greek philosophers in an architectural setting. The Madonnas he painted in Rome show him turning away from his earlier work's serenity to emphasize movement and grandeur, partly under Michelangelo's High Renaissance influence. The Sistine Madonna (1513) shows the richness of colour and new boldness of compositional invention typical of his Roman period. He became the most important portraitist in Rome, designed 10 large tapestries to hang in the Sistine Chapel, designed a church and a chapel, assumed the direction of work on St. Peter's Basilica at the death of Donato Bramante,   Related Paintings of RAFFAELLO Sanzio :. | Detail of Christ | Portrait of Tommaso Inghirami | Portrait of a Woman | Portrait of Badashalei | Bridgewater Madonna |
Related Artists:
Dankvart Dreyer
(13 June 1816 - 4 November 1852) was a Danish landscape painter of the Copenhagen School of painters who was educated under the guidance of Christoffer Wilhelm Eckersberg. Around 1840, he was part of the emerging National Romantic landscape painting scene in Denmark but as a result of his over-dramatic and excessively natural style, he did not fit the aestetics and the ideology of the period. After being widely criticized, he turned his back on the artistic establishment and passed into near oblivion. In 1852, when only 36 years old, he died from typhus. Posthumously, half a century after his death, his reputation was restored, prompted by the art historian Karl Madsen, and today he is considered to be one of the leading Danish landscape painters of his day, the peer of his more famous contemporaries P.C. Skovgaard and Johan Lundbye.
Edwin Douglas
1848-1914
Jacopino del Conte
Italian Painter, ca.1510-1598 was an eminent Italian Mannerist painter, active in both Rome and Florence. A native of Florence, Jacopino del Conte was born the same year as another Florentine master Cecchino del Salviati (whom Conte outlived by 35 years) and, like Salviati and a number of other painters, he initially apprenticed with the influential painter and draftsman Andrea del Sarto. Conte's first frescoes, including Annunciation to Zachariah (1536), Preaching of Saint John the Baptist (1538), and Baptism of Christ (1541) were in the Florentine-supported Oratory of San Giovanni Decollato, located in Rome. The Preaching fresco was based on a drawing by Perin del Vaga. In 1547?C48, in collaboration with Siciolante da Sermoneta, Conte completed the fresco decoration of the chapel of San Remigio in San Luigi dei Francesi. In 1552, he painted another work for the San Giovanni Decollato Oratory, the altarpiece Deposition, whose designs are sometimes attributed to Daniele da Volterra.